Director: Tim Burton Stars: Colin Farrell, Michael Keaton, Danny DeVito, Eva Green. (Note: Lee’s films were often renamed in different regions of the world, meaning each film has a few different titles depending on where they were released. A young elephant, whose oversized ears enable him to fly, helps save a struggling circus, but when the circus plans a new venture, Dumbo and his friends discover dark secrets beneath its shiny veneer. Now, we’re here to break down the best Bruce Lee movies. These days, Lee is more known for his influence than the films he actually created, which is a shame considering how good the movies he starred in, choreographed, and created are. Helena Bonham Carter is an actress of great versatility, one of the UKs finest and most successful. The film follows Alice as she falls down a rabbit hole and enters a fantastical world of strange creatures and magical beings. What's more, Lee's influence has been sewn into the fabric fighting movies, where it can be felt everywhere from Quentin Tarantino to The Raid 2. Actress: Sweeney Todd: The Demon Barber of Fleet Street. Alice in Wonderland (2010) Alice in Wonderland is a film directed by Tim Burton and starring Mia Wasikowska as Alice, Johnny Depp as the Mad Hatter, and Helena Bonham Carter as the Red Queen. He was a master in acting, writing, directing, and - of course - fight choreography.
Despite the reputation that he's developed in the years since his death, Lee is an icon of cinema history for a reason.
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It’s no wonder the movie has essentially spawned an entire subculture of goth aficionados, who seem to celebrate the movie’s Halloween-y spirit year round.īruce Lee, one of the most iconic Asian-American actors of all time, once famously said: "Adapt what is useful, reject what is useless, and add what is specifically your own."īut Lee was more than a pithy quote-generating machine, though.
Every set is absolutely breathtaking in its detail and styling, every outfit is perfectly curated, every note in Danny Elfman’s score achieves the perfect balance between silly and menacing. Catherine O’Hara deserves endless praise for her possessed lip-sync of Harry Belafonte’s Day-O. Michael Keaton has never been better than as the titular “bio-exorcist” and Winona Ryder as Lydia Deetz has become one of the most iconic gothic characters in cinema history. An existential contemplation on the afterlife, a gothic fashion showcase, a meditation on social alienation, a hilarious pastiche of horror tropes: For a movie that at times is unapologetically juvenile, Beetlejuice somehow spans several genres and succeeds in each category. Studios used to be run by people who had made movies, or at least had some connection to it. Describing Beetlejuice as a horror-comedy isn’t inaccurate, but the movie’s so much more than that. If you haven’t watched Tim Burton’s 1989 Batman in a minute.
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